The paper points out some forms of poetic transposition of the experience, logic and the language of dreams in Pešić's travelogues, poetry, stories, poetic prose, dramatic plays and texts for puppet theatre. Choosing the works in which dreams appears in different ways and in different functions (as a personal experience; literary motif; text in the text; part of the other textual structure or complete work; potential way to create the author's thinking about literature; literary technique that is raised irrationally, fantastically and surreally to the position of dominant creative process), the Oneiric principle is actualized as one of the most important factors of Pešić's poetics. The basic intention of this paper is to confirm the assumption that the researchers of the Oneiric in the Serbian literature have many reasons to keep looking at his literary opus.
