Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art

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Krsmanović, B., & Milanović, L. (2017). Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art, (41), 25-36. doi:10.2298/ZOG1741025K
Details
Title

Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art

Subtitle
Author

Bojana, Krsmanović, Ljubomir, Milanović

Journal

Zograf

Volume
Issue

41

Start page

25

End page

36

ISSN

0350-1361

ISBN
DOI

10.2298/ZOG1741025K

URL

http://www.doiserbia.nb.rs/Article.aspx?ID=0350-13611741025K

Date

2017-2020/03/12/13:48:45

Abstract

The paper discusses twelve visual depictions that in all likelihood represent St. Ignatios of Constantinople and were created between the ninth and the thirteenth century. Most of these depictions show Patriarch Ignatios beardless, which reflects the fact that he was a eunuch of the ἐκτομίας category. The paper analyzes two iconographical elements distinctive of his portraits: beardlessness and youthful appearance. It concludes that, on the one hand, the artists who painted the beardless portraits of Ignatios strove to depict the saint as realistically as possible; while, on the other hand, his beardless and youthful appearance also had a metaphorical meaning and served to highlight the chastity and purity of the eunuch saint. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177032: Tradition, Innovation and Identity in the Byzantine World]

Keywords

beard, eunuch, iconography of saints, individualism, Patriarch Ignatios