Praying with the senses
Examples of icon devotion and the sensory experience in medieval and early modern Balkans
Saša, Brajović, Jelena, Erdeljan
Zograf
39
57
63
0350-1361
10.2298/ZOG1539057B
http://www.doiserbia.nb.rs/Article.aspx?ID=0350-13611539057B
2015-2020/03/12/12:16:21
This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Although part of two different, albeit historically intertwined and perpetually connected cultural and liturgical spheres, icon veneration in both the Orthodox and the Catholic community of the broader Mediterranean world and the Balkans in medieval and Early Modern times shares the same source. It relies on the traditional Byzantine manner of icon veneration. This is particularly true of highly venerated and often miracle working images of the Mother of God, identity markers of political, social and religious entities, objects of private devotion as well as performative objects around which are centered public rituals of liturgical processions and ephemeral spectacles.
medieval Serbia, Bay of Kotor in early modern times, Gospa od Škrpjela, Hodegetria, icon veneration, Mother of God, sensory experience