Studies in Late Dugento and Early Trecento Painting. Who is Duccio?

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Polzer, J. (2004). Studies in Late Dugento and Early Trecento Painting. Who is Duccio?: Part I, (30), 89-110. doi:10.2298/ZOG0530089P
Details
Title

Studies in Late Dugento and Early Trecento Painting. Who is Duccio?

Subtitle

Part I

Author

Joseph, Polzer

Journal

Zograf

Volume
Issue

30

Start page

89

End page

110

ISSN

0350-1361

ISBN
DOI

10.2298/ZOG0530089P

URL

http://www.doiserbia.nb.rs/Article.aspx?ID=0350-13610530089P

Date

2004-2020/03/10/19:21:52

Abstract

This study focuses on the meaning of Duccio's certain early masterpiece begun in 1285, his Rucellai Madonna: its iconography, style, spatial structure and ornament, to serve as the basis of a more extended examination of his artistic career and sphere of influence, to be examined in a later publication. It also comments on its relationship to two works of art not far removed in time, the tiny Madonna of the Three Franciscans in the Siena Pinacoteca, and especially the round stained glass window from Siena Cathedral that has been attributed to both Duccio and Cimabue.

Keywords