Concerning the Chronology of Cimabue's Oeuvre and the Origin of Pictorial Depth in Italian Painting of the Later Middle Ages

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Polzer, J. (2002). Concerning the Chronology of Cimabue's Oeuvre and the Origin of Pictorial Depth in Italian Painting of the Later Middle Ages, (29), 119-142. doi:10.2298/ZOG0329119P
Details
Title

Concerning the Chronology of Cimabue's Oeuvre and the Origin of Pictorial Depth in Italian Painting of the Later Middle Ages

Subtitle
Author

Joseph, Polzer

Journal

Zograf

Volume
Issue

29

Start page

119

End page

142

ISSN

0350-1361

ISBN
DOI

10.2298/ZOG0329119P

URL

http://www.doiserbia.nb.rs/Article.aspx?ID=0350-13610329119P

Date

2002-2020/03/10/19:13:14

Abstract

A study devoted to the gradual emergence of pictorial depth in Cimabue's paintings, and how it applies, together with other factors, to the understanding of their sequential chronology. The conclusions reached underscore the vast difference in Cimabue 's conservative art and the exceptional naturalism of the evolving Life of Saint Francis mural cycle lining the lower nave walls in the upper church of San Francesco at Assisi.

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