Књижевна историја (Literary History)
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Literary History (Književna istorija) was founded in 1968 as a journal of the publishing house “Obod” from Cetinje, and later of the publishing house “Vuk Karadžić” as well. Its founder and first Editor-in-Chief was Aleksandar Petrov, succeeded by Jovan Deretić. During its entire existence, the journal relied on the cooperation of the research projects’ associates at the Institute for Literature and Art. In 1991 Literary History became the official organ of the Institute, and its newly appointed Editor-in-Chief, Dušan Ivanić, continued with the distinct literary-theoretical and literary-historical orientation of the journal. With Miodrag Maticki taking the position of Editor-in-Chief in 2001, Literary History broadened its concept to include interdisciplinary and multidisciplinary scientific studies and articles as well.
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- Реторика књижевног егзила
- Central and Eastern European Online Library - CEE journals, documents, articles, periodicals, books available online for download, Zeitschrfitendatenbank, Online Zeitschriften, Online Zeitschriftendatenbank
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- Рецензенти Књижевне историје за 2017. годину (бр. 161–163)
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- Рецепција романа "Покоравање" Мишела Уелбека
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- Ристић и Џојс – Без мере и Уликс у компаративној перспективи
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- Рововац (1916) рукописни лист Станислава Кракова
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- Ролан Барт и парадоксални услови књижевности
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- Роман као огледало епохе и социо-културно поље – Привиђења Милана Кашанина
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- Романтизам y гвозденом кавезу робних значења
- Summary/Abstract: Romanticism is not just a passive observer of the formation of the commodity-based society. There is a deep discomfort in romanticism about the tendency of an independent economic domain. This orientation can be followed in the case of such phenomena as money, measure, fiction, vitalism, or nature. These issues are now involved in the transformed context of economization, and there is a deep disturbance on this occasion in romanticism that appears to be a paradigmatic case of crisis-ridden subjectivity. Based on this, we can discuss the involvement of romanticism in relation to the phenomenon we designate the commodity-loop that includes the set of objective and subjective determinations related to the commodification. Some interpreters state that the novel of the 19th century (and romanticism, as well) “naturalized” the economy. The „naturalization“, however, here does not imply the connection to nature, but transforming the economy into a “natural fact” in the sense of an ideological normalization. The term “facts” comes together with the modern economy. “Naturalization” is actually a process that separates modern man from “nature”, that is, this term does not imply the inexhaustible creativity of nature. We believe that the position of literature and romanticism is much more ambivalent in relation to this figure: the mentioned commodity loop contains different responses of the emerging modern subjectivity in relation to objective determinations. Literature in romanticism stands in profound ambivalence: it cannot be indifferent to an autonomized economy but is far from being a pure reflection of it. We argue that romanticism, in fact, denaturalizes the commodity-mediated economy and reveals the historical determinateness of capitalism.
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- Романтичарска имагинација у реалистичком поступку
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- Рођени у преводу
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- Рукописи Алексе Шантића у Националној и свеучилишној књижници у Загребу
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- Рукописни лист Наши дани у фонду Народне библиотеке Србије
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