Књижевна историја (Literary History)
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Literary History (Književna istorija) was founded in 1968 as a journal of the publishing house “Obod” from Cetinje, and later of the publishing house “Vuk Karadžić” as well. Its founder and first Editor-in-Chief was Aleksandar Petrov, succeeded by Jovan Deretić. During its entire existence, the journal relied on the cooperation of the research projects’ associates at the Institute for Literature and Art. In 1991 Literary History became the official organ of the Institute, and its newly appointed Editor-in-Chief, Dušan Ivanić, continued with the distinct literary-theoretical and literary-historical orientation of the journal. With Miodrag Maticki taking the position of Editor-in-Chief in 2001, Literary History broadened its concept to include interdisciplinary and multidisciplinary scientific studies and articles as well.
Pages
- Post-Revolutionary Art in Russia
- Central and Eastern European Online Library - CEE journals, documents, articles, periodicals, books available online for download, Zeitschrfitendatenbank, Online Zeitschriften, Online Zeitschriftendatenbank
- Poštovanje Drugoga, patnja Drugoga
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- Prosvijećeni nacionalizam u nastavi književnosti
- Central and Eastern European Online Library - CEE journals, documents, articles, periodicals, books available online for download, Zeitschrfitendatenbank, Online Zeitschriften, Online Zeitschriftendatenbank
- Ratni narativi iz komparatističke perspektive
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- Reading the Entertainment and Community Spirit
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- Rebranding Shakespeare for the „Brave New World“
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- Reprezentacija Dubrovnika u književnosti i kartografiji 17. stoljeća
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- Restlessness, Wanderlust and Migration in Endgame
- Summary/Abstract: This paper offers an insight into Samuel Beckett’s Fin de partie /Endgame from the viewpoints of restlessness, wanderlust and migration. The close-reading of unpublished, discarded manuscripts from the early stages of the genesis of the play provides a deeper understanding of the relationship dynamics between Hamm and Clov. Both the preliminary versions of Fin the partie and Beckett’s own directions (1967, 1980) suggest that the characters and their forerunners express a strong desire to leave the premises of Hamm’s shelter and be elsewhere (the kitchen, shopping, the raft), or preferably be nowhere at all. The continuation of life and reproduction are enemies to Hamm. Consequently, he fails to help people who turn to him in mortal danger. The aspect of migration can be best traced in Hamm’s story about a displaced, uprooted man, the sole survivor of a catastrophe who comes to him one Christmas Eve to ask for some bread for his son.
- Roland Barthes et la politique du structuralisme en Roumanie socialistе
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- Rođen u grobu
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- Sa ženom valja kao s fortunom. Ljubavni diskurs o ženi u italijanskoj književnosti XIV–XVI veka
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- Sala declamationum
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