Књижевна историја (Literary History)
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Literary History (Književna istorija) was founded in 1968 as a journal of the publishing house “Obod” from Cetinje, and later of the publishing house “Vuk Karadžić” as well. Its founder and first Editor-in-Chief was Aleksandar Petrov, succeeded by Jovan Deretić. During its entire existence, the journal relied on the cooperation of the research projects’ associates at the Institute for Literature and Art. In 1991 Literary History became the official organ of the Institute, and its newly appointed Editor-in-Chief, Dušan Ivanić, continued with the distinct literary-theoretical and literary-historical orientation of the journal. With Miodrag Maticki taking the position of Editor-in-Chief in 2001, Literary History broadened its concept to include interdisciplinary and multidisciplinary scientific studies and articles as well.
Pages
- Sala declamationum
- Central and Eastern European Online Library - CEE journals, documents, articles, periodicals, books available online for download, Zeitschrfitendatenbank, Online Zeitschriften, Online Zeitschriftendatenbank
- Savremene pristup i sveobuhvatan pogled (Bojan Mitrović, Marija Mitrović, Storia della cultura e della letteratura serba)
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- Sexo, Eros y ficción literaria en la narrativa española del siglo XVI
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- Sibe Miličićs Wiener Doktorarbeit
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- Slika Italije u putopisu
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- Smijeh u lice smrti
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- Social Critics and the Condition of Women in Algerian Literature in Arabic
- Summary/Abstract: The aim of this paper is to present the work of the Algerian writer ‘Abd al-Ḥamīd Benhadūga, and to discuss how woman’s identity and role in society are mirrored in the Algerian narrative discourse in the post-independence literature written in Arabic. In particular, I will read Benhadūga’s novel Rīḥ al-ğanūb (South Wind, Benhadūga 1972), which presents a female character who, from the author’s point of view, represents a critique of power. As in other novels by the same author written between 1970 and 1980, as well as in novels by other Algerian authors (e.g. in Al-zilzāl (The Earthquake) by At-Ṭāhar Waṭṭār and Mā lā tadruhu al-riyāḥ (What Winds cannot erase) by Muḥammad Al-‘Alī ‘Ar‘ār), South Wind’s protagonist tries to envision herself by opposing tradition, but she fails, because to succeed she would have to give up her ‘feminine’ side. Usually, Benhadūga’s novels are labelled as “regime novels”; they are not set in a specific historical background, nor do they belong to the field of interdisciplinary studies (though, as Terry Eagleton points out, “such ‘pure’ literary theory is an academic myth” (Eagleton 1997: 170). In fact, Benhadūga participated in the socialist ideal and chose to write in Arabic. At the same time, even in such conditions, the intellectual can contribute to a real change, contradicting the idea that a free intellectual can define themselves only at the margins of the literary field and is condemned to such status in order to maintain his or her freedom of thought.
- Spekulacyjna i diagnostyczna funkcja słowiańskiej fantastyki w perspektywie własnej tradycji
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- Sull’immagine letteraria di Santa Ol’ga di Kiev
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- Tehnologija ekfraze
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- The Avant-Garde Photopoetry
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