Kultura

Primary tabs

The Kultura Journal is an international scientific journal for the theory and sociology of culture and cultural policy, which follows culture in the widest sense of the word where science, education and all human activities are taken as its integral part.

It was started in 1968 courtesy to the efforts of Stevan Majstorović, founder of the Centre for Studies in Cultural Development, with the objective to encourage integrative, analytical and critical interpretations of the modern cultural phenomena.

At the time of its establishment, the Kultura Journal was unique in the domain of intellectual thought both in terms of its concept and its design. Since the first issue, i.e. over the fifty years of its existence, Kultura has been and has remained open to creative ideas from the country and the world, as seen from the texts of important foreign authors and contributions from professionals coming from the cultural centres of former Yugoslavia, as well as domestic authors who offered new ideas and approaches to culture. The recognizable design solution of the logo of the journal and its cover page were created by the artist and calligraphist Božidar Bole Miloradović, for the very first number.

As of 1971, the issues were edited thematically, which has been dominant practice to this date, with the aim of enriching certain thematic fields in our cultural and scientific community.

The first Editorial Board of the Kultura Journal consisted of eleven members, led by the Editor-in Chief Stevan Majstorović and Trivo Inđić, as conceptual instigators of the journal which heralded a new orientation in the intellectual field. Members of the Editorial Board were: Slobodan Canić, Dragutin Gostuški, Vujadin Jokić, Danica Mojsin, Mirjana Nikolić, Nebojša Popov, Bogdan Tirnanić, Milan Vojnović and Tihomir Vučković. Over the five decades of the Kultura Journal, editorial boards changed several times.

Kultura is issued every three months (four times a year) and its printing has been financed by the Ministry of Culture and Information of the Republic of Serbia since 2001. With support of the competent ministry, all numbers of this journal, from the first to the last issue, were digitalized in 2009. As a result, a DVD containing digital form of the journal, was available with the issue No. 129, titled "Electronic libraries". A few years later, in 2013, Kultura switched to the Cyrillic script, with an important note that it still published in Latin script those authors from the region who originally use Latin script(Montenegro, Bosnia and Herzegovina, Croatia). With the issue No. 140, on the occasion of marking the 45th anniversary of the Kultura Journal, a special USB was made available, with all the texts from the numbers 1-137. The web page of the Centre for Studies in Cultural Development contains all the texts ever published in any issue of the Kultura Journal over half a century of its existence.

The Department for Registration of Journals of the Ministry of Education, Science and Technological Development of the Republic of Serbia, the Kultura Journal was registered in 2005 (when categorisation of scientific journals started) marked as category P53. In 2010,it was registered as category M52 in the group of journals for history, art,history, ethnology and archaeology. At the beginning of July 2012, the journal advanced to the category of national interest, by Decision of the Ministry of education, science and technological development of the Republic of Serbia (M51).

Kultura is regularly deposited with the Repository of the National Library of Serbia, and since 2010, it has been included in the Serbian Quotation Index, where the texts published in Kultura can be found in full digital form. As of 2011, the texts i.e. scientific articles, apart from the regular UDK (universal decimal classification) also carry specific DOI (Digital Object Identifier) codes, that allow for their greater visibility and international indexing under international standards. In the meantime,electronic version of the journal was started i.e. the first steps were made towards electronic edition by CEON (Service for monitoring, measuring and valorisation of scientific journals) through Aseestant electronic editing programme. This has contributed to the quality of published articles, as the editorial board now have at their disposal adequate programmes for text checking in terms of correct citation sand listings of references as well as prevention of plagiarism.

Kultura is regularly delivered to the National Library of Serbia in Belgrade, Belgrade City Library,University Library "Svetozar Marković" in Belgrade, Library of Matica Srpska in Novi Sad, Library of the Serbian Academy of Sciences and Arts in Belgrade, Library of the Rectorate of the University of Arts in Belgrade, University Library in Niš and University Library in Kragujevac. The Kultura Journalis regularly received by numerous interested institutions of culture (libraries, theatres, museums, culture centres) as well as individuals. The Journal nurtures professional exchanges with many similar institutions and magazines in the country, region and in Europe (Montenegro, Croatia, Slovenia,Hungary, Bulgaria, Germany, Switzerland and other countries).

In addition to respecting scientific rules and standards for publishing scientific papers, Kultura has not lost the curiosity or the freshness of an avant-garde magazine dealing with both eternal and very actual topics.


Pages

Economic and political influences on journalists as a cause of media manipulation
Economic and political influences on journalists as a cause of media manipulation
The paper treats the issue of economic and political influences on journalists and the media institutions. Autors' thesis is that public relations managers of political officials are the true rulers in the communication process. The media employers and journalists are most exposed to the economic and political pressure and influence by all those who use the media for their own interests. The paper has searched the articles of the Code of Ethics of Journalists in Serbia regarding veracity of reporting and independence of pressure, which are often violated in everyday journalistic practice. As there are many mechanisms of manipulation used by Public Relations agencies representing commercial clients or building images of political parties and their officials, authors have concluded that their influence is often stronger than the journalistic ethics and the rules of professional conduct in the media, which currently makes them true rulers of the communication process and leave the public and the society vulnerable to manipulation.
Economic efficiency and determination of types of creative sector development
Economic efficiency and determination of types of creative sector development
The paper deals with characteristics of creative sector growth (and development) from the standpoint of economic efficiency of the engaged production factors. We are starting from the analysis of relevant literature that provides a variety of theoretical concepts of the creative sector and its structure. Distinguishing between types of growth (and development) was based on dynamics of labor productivity and capital efficiency.
Economic freedom and entrepreneurship in culture
Economic freedom and entrepreneurship in culture
The paper deals with analysis of economic freedom and cultural entrepreneurship in Serbia, as one of the principles of democracy. In the first part, terminology of economic freedom and entrepreneurship in culture is explained from the perspective of culture in relation to democracy. The paper also gives contextualization of those phenomena at the level of public policies. In the second part of the paper, historical analysis of institutional framework for development of cultural entrepreneurship is presented. Also, the achieved level of economic freedom in the field of culture is assessed. At the end of the paper, cultural policy recommendations at the national level are identified.
Economic growth and subjective well-being in developed countries
Economic growth and subjective well-being in developed countries
The paper examines the Easterlin paradox, regarding long-term lack of correlation between the economic growth and subjective well-being of populations. The analysis covered 14 relatively developed European countries during the 2002-2012 period. The data coming from European Social Survey confirm the paradox, i.e. indicate the lack of correlation between economic growth and changes of the average subjective wellbeing of populations. The explanation of these results can be found in the relative income hypothesis, GDP's diminishing marginal utility, hedonic adaptation principle, and in the aspiration level theory. The results, among other things, support utilitarian idea of transition of developed societies policies' primary goals, from economic growth to rising of subjective well-being.
Economic measures of cultural policy in the function of boosting philantropy and bequests
Economic measures of cultural policy in the function of boosting philantropy and bequests
The paper deals with analysis of economic measures of cultural policy in Serbia from the perspective of their influence on boosting philanthropy and promoting bequests. The first part of the paper explains conceptual terminology of the basic dimensions of philanthropy. The second part of the paper discusses economic measures of cultural policy from the perspective of theirs role in creating institutional framework for development and sustainability of philanthropy and bequests. At the end of the paper cultural policy recommendations for improvement of national cultural policy are presented.
Education and art values
Education and art values
This paper discusses the value orientation of education through historical analogy between the reduction of education to techne into sophistic movement in ancient Greece, and the demands of the current educational reform. This raises the question of whether art today may be the carrier of values that lead orientation of education. Relation of art and education are considered in three forms: as art in education, education for art, and artistic education.
Education for media in the new technological age
Education for media in the new technological age
The media are no longer a 'mirror of society' but constructors of social reality and manufacturers of consciousness. The new technological age gives a strong stimulus to this transformation which further marginalizes the point and cognitive value of the message. These technologies emphasize the technological aspects, sensations of the new, spectacles of the form and the design, which are becoming a purpose in itself. Adding to all this the already observed concentration of information and the difficulty in content selection, the training for media usage and their maintenance on the socially acceptable and constructive level becomes a highly important topic. At the same time, the concepts of 'the media education' and 'education for the media' oscillate in their implications, alternately going back and forth in their meaning. This paper is trying to determine the evolution of the idea about correlation between the media performance and the educational process, in which at least two approaches are possible: the ability to increase the level of knowledge with the help of the media and the need for gaining skills in order to handle the digitalized media so they can be used to full potential.
Educational aspirations of the students in Serbia
Educational aspirations of the students in Serbia
In this paper we present results of an empirical research study conducted in 2009 on a sample of 985 students from 30 vocational study groups, located in 28 cities in Serbia. The aim of the study was to establish a relationship between individual elements of the social background of students from the colleges for professional studies and their educational, professional and life aspirations. The research has shown that there is a high social differentiation in colleges for professional studies, and a clear indication of greater representation of students originating from the lower and middle social strata. In this sense, for this generation of young people, higher education levels should not only facilitate acquisition of knowledge necessary to perform complex tasks, but also provide a social function in relation to the generation of their parents (workers) and grandparents (farmers). Determination of the social background has served as a plea for the 'discovery' of perspective and aspirations of students in regard to their future.
Effects of art practice subversion in spaces
Effects of art practice subversion in spaces
The paper considers subversive capacities of spaces in which art works are exhibited (museums, galleries) or spaces which they occupy (public spaces). This text is analyzing the spatial situations - interventions - artifacts coming from three different periods of time (Bernini's Ecstasy of Saint Teresa, the art practice of an American artist, Gordon Matta-Clark - precisely his 1975 work Day's End, and the work of a Columbian artist - Doris Salcedo's Shibboleth, exhibited in the Turbine Hall of the Tate Modern Gallery in 2008) and trying to determine their subversion values examining their real/actual/manifested subversion strength in relation to ideologically false or 'fake' subversions. And, finally, the main objective is to explore the subversion of these artworks in the hindsight of Freud's Das Unheimliche where he made a point that 'something is terrifying not because it is unfamiliar, but because something that was known to us somehow became strange and unfamiliar'.
Effects of new communication technologies on time perception
Effects of new communication technologies on time perception
The topic of the ever more accelerated pace of life and laments over the destructive effects of this phenomenon, is not new. It has already appeared in the nineteenth century with the invention of railways and telegraphs. Since the age of industrialization modern man has begun to experience a radical change in his relationship to time. With the globalization, which came on the wave of new information technologies, the imperative of speed, urgency, instantism, simultaneity, short termism, established as new units for measuring time. At the source of time acceleration are modern technologies, but Internet brought this process to a climax. Accordingly, it can be argued that speed is not just a secondary feature, but one of the determinants of modern civilization. There is a constant pressure of the acceleration and fragmentation of time which, overflowing from economic and technological spheres tends to colonize the entire psychological and social space. In this paper we do not deal with value judgements on technological speed per se, nor express nostalgic sadness for the good old slower times. We are interested in the way speed, as value-neutral, or even positively connoted term, refracts through psychological prism, specifically the perception of time, so establishing haste (urgency) as dominant mode of individual and social existence. In order to better understand and analyze the relationship between speed and haste, and its effects on psychosocial health, we distinguish between three kinds of temporality: physio-psychological, socio- psychological and techno- psychological. According to the results of a research carried out with regular Internet users, we try to show how they come to suffer a stressful conflict between these temporal modes and develop the so-called 'pathology of present'.
Elements of demand in the touristic promotion of the outer Belgrade municipalities
Elements of demand in the touristic promotion of the outer Belgrade municipalities
At the beginning of promotional activities, providers any tourist offer must define who they are addressing to, since tourists are a very heterogenous category different in its demographical, socio- economical, psychological and other characteristics. Outer Belgrade municipalities have real, versatile potentials and concrete offers for different kind of tourists, despite numerous limitations and generally underdeveloped tourism. However, it is crucial to define target markets and elements of tourist demand of priority significance for every tourist destination, especially for those which are just emerging on the tourist market. Therefore, it is very important to have a realistic insight into the advantages and disadvantages of the tourist offer and into the offer of competitive destinations. Emerging tourist destinations, like BLO, shouldn't tend to meet all the elements of demand in all markets, but focus their promotional efforts on those elements of tourist offer whose demands are correspondent to the existing offer, having in mind all the limitations in regards to volume, structure and quality of the existing offer in its territory.
Embrace in motion
Embrace in motion
The topic in focus encompasses the spaces in which the gatherings of tango dancers occur and where people of different nationalities and identities practice this dance, using Argentina as a powerful referent point, but at the same time constituting various tango expressions. New information technologies, changes in mass media, increased mobility and flow of people, changing practices of subjectivity together with intensive and occasionally confronted life 'cultural poetics'- all become part of what makes possible the formation of authentic tango social practice. What are the possibilities in the given situation for the movement and the speed of the tango dancers' bodies in the most intimate space they share, expressed through a particular notion of the embrace as well as of the walk / the steps? What are the circumstances and environments in which the embrace is being actualized? How does the public expression of the embrace open the space for the semi-private embodiment of the embrace in the social arena? This paper is about to research the transnational 'dynamics' of tango as well as the ontological dimensions of this dance.

Pages